Pathways with real output.
A full pathway for young people facing barriers — from schools, youth spaces and workshops into tangible outputs, mentoring, shadowing, first credits, paid opportunities and next steps in the industry.
Communities. Broadcast. Digital. Branded.Turn Up BC is a Community Interest Company and creative production studio working across Communities, Broadcast, Digital and Branded.
We build culture-shaping content and real creative pathways — from first access to first credits, from community to industry.
We sit at the intersection of making broadcast feel more relatable to digital audiences, and making digital work more broadcast-ready — with branded strategy and community heart running through the work.
Stories that shape culture.A full pathway for young people facing barriers — from access into outputs, credits and real opportunities.
Documentaries, factual entertainment, reality and talent-led stories shaped with editorial instinct.
Creator-led formats, digital shows and social-first content built for how audiences watch now.
Campaign films, branded series, BTS, live coverage and cultural moments with strategy and taste.
Community access, broadcast craft, digital instinct and branded strategy — brought together when the work needs more than one lens.



Some of the brands, platforms and spaces the work has moved through.
The full picture: community access, production output, different thinking and real progression.
Turn Up BC is a Community Interest Company and creative production studio working across Communities, Broadcast, Digital and Branded.
We build culture-shaping content and real creative pathways — from first access to first credits, from community to industry.
Our work starts with access. We create spaces for young people facing multiple barriers — including underrepresented young people, Global Majority talent, neurodiverse creatives, young people from lower-income backgrounds and those without easy access to the creative industries — to train, develop and apply their skills in real industry settings.
That journey can start in a school workshop, youth space or community project, but it is built to go further: into mentoring, shadowing, first credits, paid work and step-up opportunities on real productions.
We sit at the intersection of making broadcast feel more relatable to digital audiences, and making digital work more broadcast-ready — with branded strategy and community heart running through the work.
That comes from different kinds of thinking in the room: producers who understand formats, creators who understand audiences, editors who understand pace, campaign thinkers who understand the message, and community leads who understand access and care.
It means we can shape the idea, build the team, produce the content and create the pathway around it.
Repeatable series. One-off moments. Branded films. Broadcast social. Creator-led formats. Digital shows. Live coverage. Community access. Production support.
Schools, youth spaces, workshops, mentoring, shadowing and production opportunities that leave young people with outputs, contacts, credits and clearer next steps.
Documentaries, factual entertainment, reality, talent-led films and digital extensions shaped with editorial craft and a sense of how people watch now.
Creator-led formats, social-first ideas, branded films, BTS, live coverage and campaign content with strategy, pace and taste behind it.
Different briefs need different thinking. Some need broadcast structure. Some need digital instinct. Some need branded strategy. Some need community trust. Most need a mix of all four. That is where Turn Up sits.
A full pathway for young people facing barriers — from schools, youth spaces and workshops into tangible outputs, mentoring, shadowing, first credits, paid opportunities and next steps in the industry.
Documentaries, factual entertainment, reality, talent-led films, digital extensions and broadcast social shaped with editorial instinct and audience understanding.
Creator-led formats, social-first shows, platform-native edits and digital content built for how audiences actually watch, share and engage now.
Campaign films, branded series, BTS, live coverage, founder stories and cultural moments with strategy, taste and production value behind them.
A snapshot of the work across live culture, broadcast social, music, fashion, founder-led storytelling and branded content.
Fast-turnaround digital coverage around live sport and culture, shaped for social platforms without losing the energy of the event.

Social and digital content around the ITV panel show with a sharp cultural voice and a clear audience. Broadcast tone, talent, culture and fast-turnaround content beyond the TX slot.

Production support around a major live music moment connected to one of the world’s biggest artists. Discretion, speed, crew coordination, talent awareness and premium capture while the moment was still moving.
A talent-led, event-adjacent BTS piece built around Kelly Rowland and the road to Mighty Hoopla. High-profile access, music culture and behind-the-scenes storytelling with warmth and polish.
Branded storytelling through a fashion, founder and creative business lens. Culturally sharp, visually led content that understands founders, brands and digital audiences.
Fashion Awards, BFC spaces, luxury client coverage, red carpets, festivals and live events handled with taste, pace and attention to the room.
Change Takes All moved beyond the project itself, with coverage across national and community-facing platforms.
The day before this shoot, my videographer cancelled. Mani came straight to mind because I knew he understood high-level production and would know the right people. Within hours, Kiren had sharpened the brief and planned the full shoot. Turn Up BC moved fast, understood the vision, and delivered exactly what was needed. I’d absolutely recommend working with them.
Fisayo Longe — CEO, Kai Collective Limited
Met Police × COCOAA campaign film and digital content project built around care, representation, community tone and strong visual delivery.




Performance, music and audience-facing moments inside the school setting.

We bring working creatives into the room — from BAFTA-winning talent, presenters, producers and directors to music, radio and TV professionals.

Young people get hands-on with the kit and leave with something useful, whether that is confidence, a new skill or work they can build on.
Community is not the add-on. It is the A-to-Z pathway: early access, training, outputs, shadowing, first credits, paid work and step-up opportunities.
Turn Up works as an A-to-Z bridge: from early creative exposure in schools and youth spaces, through to workshops, mentoring, shadowing, first credits, paid work and step-up opportunities on real productions.
We create expressive, practical environments for young people facing multiple barriers — including underrepresented young people, Global Majority talent, neurodiverse creatives, young people from lower-income backgrounds and those without easy access to the creative industries.
The aim is not just inspiration. It is movement: a headshot, a demo, a filmed piece, a CV point, a contact, a first credit, a paid opportunity or a clearer next step.
Confidence-building workshops, media sessions, school events, hands-on kit, performance, storytelling and tangible resources young people can take forward.
More focused support: mentoring, portfolio-building, demos, headshots, filmed pieces, shadowing and direct access to working industry professionals.
First credits, placements, paid opportunities where possible and proper on-set experience across Turn Up productions and partner work.
Progression for people already in or near the industry: stronger credits, bigger rooms, more responsibility and routes into mid-level or senior opportunities.
We bring reputable industry professionals into schools and workshops — from BAFTA-winning talent, TV hosts and BBC Radio voices to directors, executives, musicians, music video directors and people actively making the work now.



For the Queen’s Jubilee, Turn Up created a two-day creative access programme in Tower Hamlets, supported through the Let’s Create Jubilee Fund, National Lottery, East End Community Foundation and Arts Council England.
Music, radio, acting, dance, media, panel talks and a live showcase all sat under one aim: give young people real access to the industry, then leave them with something they could actually use.
The young people did not get a watered-down version of the industry. Acting participants left with headshots. Radio and DJ participants created first demos. Across the project, the room held presenters, performers, directors, broadcasters and creative leaders they would not usually get to meet.
Headshots, demos, filmed pieces, portfolio material, CV points, confidence, contacts and transferable skills. The work is designed to be useful after the session ends.
Young people and emerging creatives connected to Turn Up have gone on to work across major productions, studios, development teams, digital teams, theatre agency spaces, branded content and community organisations.
It is not only entry-level. We also support emerging, mid-level and senior creatives ready for the next credit, the next room or the next step up — beyond shadowing, and with real progression in mind.
We track what happens after the session, shoot or placement: what young people leave with, where they go next, and how the pathway turns into confidence, transferable skills, first credits, paid work, step-up roles and stronger industry confidence.
Headshots, demos, filmed pieces, portfolio material, CV points, contacts, confidence and transferable skills — not just a nice day in the room.
Young people and emerging creatives connected to Turn Up have worked across The Weeknd, Sorry I Didn’t Know, Turn Up Jubilee, Change Takes All and wider broadcast, digital, branded and community projects.
On our productions, the next step is always in mind: a first credit, a stronger role, a paid opportunity, or the space to step up into more responsibility.
A selection of young people and emerging creatives who have moved from Turn Up projects into real next steps. No personal images here — just the route, the work and the progression.
Johnny worked with Turn Up as a runner on The Weeknd project. He has since progressed into Assistant Producer work on Britain’s Got Talent.
Alexia worked with us as part of the digital / branded team on Sorry I Didn’t Know, then moved into full-time work at Spirit Studios.
Jasmine worked with us as a researcher and across Sorry I Didn’t Know digital activity. She has since moved into the development team at Find Research, Big Zuu’s indie with Banijay.
Abdullehah worked with Turn Up as a videographer and has gone on to full-time videography work at Find Research.
Becca worked with us as a community assistant and supported a Turn Up shoot. She has since moved into theatre agency work.
Jordan had directed short films before. Turn Up helped him step up to direct Change Takes All, a larger-scale Met Police × COCOA project.
Jordan worked with us in-house across community projects, including Turn Up Jubilee, and has gone on to work in the community sector.
Across Turn Up productions, the pathway continues on set. We build teams with a mix of senior leadership, experienced freelancers, emerging creatives and young people taking their first real steps. The aim is not just to open the door. It is to keep the door open long enough for people to grow, get credits and move up.
That means being mindful about who gets shadowing opportunities, who gets their first break, and who is ready for the next level too. We care about progression from entry level through to mid-level and senior step-ups.

The creative industries are worth billions and employ millions, while youth unemployment and NEET numbers remain a live national issue. At the same time, the creator economy is reshaping who gets to make culture, build audiences and earn from ideas.
The room matters. The talent matters. The detail matters. The moment matters. Turn Up captures live culture with pace, polish and platform instinct.








Core team at the centre. A wider bench around the work.
Turn Up is built around different kinds of thinking in the room: producers who understand formats, creators who understand audiences, editors who understand pace, campaign thinkers who understand the message, and community leads who understand access and care.
Mani, Kiren and Juice sit at the centre of that model — editorial leadership, visual direction, digital content, creator instinct and community impact — with a wider bench shaped around each brief.

Producer Director, editorial lead and founder, connecting community access with broadcast, digital and branded production.
Credits and experience connect to ITV, BBC, Channel 4, Netflix, Amazon, Paramount, BET, MTV, Smithsonian and Sky, with work across I’m A Celebrity…, Coming Out, Love Island UK, Britain’s Got Talent, Limitless Win, Double Date Island, MAFS UK, Celebrity Big Brother, Geordie Shore, Drag Race UK, Stand Up To Cancer, Romesh Ranganathan, Building the Band, Celebrity Bear Hunt, Eat Africa with Lupita Nyong’o, Sidemen Charity Match, Sorry I Didn’t Know, The Voice and ITV’s Win Win.
Contact: mani@turnupbc.co.uk

Co-founder, creative director, videographer and editor, shaping visual output across branded, broadcast, music, digital and culture-facing work.
Experience connects to Channel 4, ITV, BBC Studios, Amazon Music, Adobe, Studio Ramsay, Formula E, Wireless, Kelly Rowland, The Weeknd, British Fashion Council, Celebrity Big Brother and Sorry I Didn’t Know.
Contact: kiren@turnupbc.co.uk

Digital Content Lead, presenter and creator, bringing audience instinct, social confidence and a sharp understanding of how the next generation watches.
Across her own platforms and wider digital work, Juice has built a strong digital footprint with 220K+ followers, 80M+ views to date, 1.2M reach in 90 days and 15%+ average engagement.
Contact: juice@turnupbc.co.uk
At the end of the bench sits our international support: fixers, local producers, production freelancers and regional partners who can help support work across markets while keeping one creative standard.
For briefs that do not sit in one country, one city or one market.
Across Turn Up and our wider freelance bench, we have relationships across key EMEA, LATAM, APAC and North America markets — from local producers and fixers to freelance crews, production partners and co-production conversations.
Our teams and wider network have recently worked across the UK, US, Canada, Brazil, Australia, key European markets, parts of Africa, the Middle East and Asia. Where the brief needs it, we can help build the right local support around the work.
US · Canada
Brazil
UK · France · Germany · Spain · Italy · Greece · Nigeria · Ghana · South Africa · Mozambique · Kenya · Qatar · UAE
Australia · Singapore · Malaysia · Hong Kong
Whether the work sits in communities, broadcast, digital or branded — or needs a pathway built around it — start the conversation here. We can help shape the idea, build the team, produce the content and create the access route around the work.
A working portfolio build showing the heart, quality and range behind Turn Up BC.
The bridge we built for ourselves became something we wanted to keep open.

Turn Up began in East London as a Community Interest Company, built by creatives who had to find their own way into the industry.
We taught ourselves how to shoot, how to edit and how to make things look and feel right. We made work because we wanted to learn. We created opportunities because there were not enough being offered.
That pathway became a bridge. When young people came into our projects, then onto our shoots, then into trainee roles and first credits, we realised the access we had built for ourselves could be kept open for others.
Now the work has evolved, but the heart is the same: bring different people into the room, make the output sharp, and leave the door wider than we found it.
The UK creative sector is a major economic force, but the route in can still depend too much on who already knows the room, who can afford to wait, and who gets a first proper credit.
Talks matter, but outputs matter more. Our work is built around things young people can take forward: demos, headshots, credits, mentoring, placements, confidence and real production experience.
For creators, producers, editors, shooters, strategists, presenters, community leads and production people who want to work across content, culture and real pathways into industry.
For young people and emerging creatives who want to hear about upcoming Turn Up productions, workshops, placements, mentoring and creative opportunities.
18+ can register directly. If you are under 18, a parent or guardian must contact us or give permission before we follow up.